kettle of hawks
Modernism, of course, is rubbish. And what about that nineteenth century neoclassicism against which the moderns rebelled—at least in part because they were unable to produce it? Remember that stuff? It too was rubbish. A particularly refined (and superfluous) form of kitsch, created by talented technicians. At a certain point, there were two distinct pathways, both of which were inadequate: the art of the academies and art as “expression”.
Harold Hassouna, Myths of Development.