purely theatrical rage
Big lies eat little lies.
Terence Theodore, Proverbs for a New Era.
Big lies eat little lies.
Terence Theodore, Proverbs for a New Era.
I will put it lightly: Ours is not a golden age of literature.
Clifford O. Mounce, A Portable Darkness.
Theodore’s gift, his one true talent, was that of obscuring the truth.
Benedict Elder, A Cosmopolitan Paradise.
“Tell me one thing, Toby,” demanded Gettings. “Who follows advice? Who ever did?”
Priscilla Onkers, All About Edward.
“Kathleen, you are uninteresting. I am sorry, of course, but it needed saying. I realize that, since you are an artist, it must come as a shock.”
Trent Bendix, Grieving for Margaret.
“I’m the one on the outside,” said Mr. Baldrick. “I am the one begging my Creator to assure me that I actually dwell in 13th century Bavaria and that I am just having a particularly long nightmare (and that I will wake soon).”
Mark Anthony, The Tale of the Mirror.
We cannot examine everything closely.
Enos Slaughter, Speaking Out of the Ground.
To do: Turn A into not-A, but keep referring to it as A.
Hilbert Kaasa, The Fabian Way.
“[Ouspensky] came to regard the light that passed through his window as an object, a solid object.” Sometimes Benton’s enigmatic assertions made sense. An awkward, stubborn sense.
Giles Coxe-Coburn, Belief in Insects.
It is words sure, my lord, that leadeth us to miserie.
William Davy, “Anna Livia’s Demise.” (1620)
Priscilla Fanning, Fragments From the Jacobean Stage.