cornbread and whiskey

by Dennis Scharnberg

With the landscape—or cityscape—as with genre scenes or even still life, the art historian can find his narratives, his anecdotes, his connections to worldly life, his “iconography”. But portraits operate on a more elemental level—and portraiture closes off that easy access to the world. Portraits—like the icons—stand alone.

Adrian Driscoll, Art Versus Words.